LES PREMIERS JOURS EN CHINEGenre: Drame |
Titre | Année | Pays | Entrées | Copies | Moyenne | Poids | ||
31 |
Break Through the Darkness |
2021 | 576 334 | 0 | 0 | 5 % | ||
32 |
Kill Mobile |
2018 | 526 428 | 0 | 0 | 3 % | ||
33 |
Song Of Youth |
2019 | 504 216 | 54 785 | 9 | 7 % | ||
34 |
Little Q |
2019 | 494 693 | 77 215 | 6 | 17 % | ||
35 |
Miss Forever |
2019 | 461 149 | 56 178 | 8 | 41 % | ||
36 |
Back to the Wharf |
2020 | 449 969 | 91 059 | 5 | 19 % | ||
37 |
The Tipping Point |
2022 | 442 164 | 0 | 0 | 10 % | ||
38 |
The Pioneer |
2021 | 432 581 | 0 | 0 | 13 % | ||
39 |
Gold or Shit |
2024 | 429 585 | 0 | 0 | 34 % | ||
40 |
Crisis Negotiators |
2024 | 425 419 | 0 | 0 | 23 % | ||
41 |
The Old Town Girls |
2021 | 391 516 | 0 | 0 | 54 % | ||
42 |
On Your Mark |
2021 | 382 679 | 0 | 0 | 10 % | ||
43 |
Ordinary Hero |
2022 | 368 849 | 0 | 0 | 7 % | ||
44 |
Chairman Mao 1949 |
2019 | 368 066 | 56 551 | 7 | 16 % | ||
45 |
So Long for Love |
2023 | 350 120 | 0 | 0 | 6 % | ||
46 |
Anita |
2021 | 344 759 | 0 | 0 | 11 % | ||
47 |
Remember Me (2024) |
2024 | 309 338 | 0 | 0 | 12 % | ||
48 |
Beyond The Clouds |
2023 | 303 502 | 0 | 0 | 17 % | ||
49 |
The Woman in the Storm |
2023 | 303 153 | 0 | 0 | 7 % | ||
50 |
Dwelling by the West Lake |
2024 | 281 781 | 0 | 0 | 9 % | ||
51 |
The Best Is Yet To Come |
2023 | 230 368 | 0 | 0 | 18 % | ||
52 |
Don't Call Me God of Gamblers |
2023 | 213 267 | 0 | 0 | 19 % | ||
53 |
Find Your Voice |
2020 | 188 732 | 75 104 | 3 | 11 % | ||
54 |
Wonder In The Temple |
2021 | 185 863 | 0 | 0 | 31 % | ||
55 |
Steel Will |
2022 | 176 168 | 0 | 0 | 8 % | ||
56 |
Island Keeper |
2021 | 174 483 | 0 | 0 | 6 % | ||
57 |
Faces in the Crowd |
2023 | 137 151 | 0 | 0 | 16 % | ||
58 |
DeparturesOkuribito (Departures) |
2021 | 131 095 | 0 | 0 | 7 % | ||
59 |
The Bugle from Gutian |
2019 | 129 724 | 0 | 0 | 28 % | ||
60 |
#Titanic (25th Anniversary)Réalisé par : James Cameron |
2023 | 120 377 | 0 | 0 | 9 % |
Légendes |
|
Films des 12 derniers mois |
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Films dans le Top hebdo |
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# | Reprise |
Pour les calculs, seuls les films qui ont rapporté fait plus de 100 000 entrées
en Chine. Chaque exploitation est isolée.